2006 Albums

24-Apr-2006

Sandy Dillon - Pull the String (One Little Indian)

Sandy Dillon's latest album opens with a healthy dose of surreal singer song writing with the title track "Pull the Strings". Dillon obviously comes from a heavy country/blues background but manages to combine so many other different styles and sounds she starts to break away and finds her own unique genre. You get a feeling that she isn't wanting to be pigeon-holed to one particular style so has used anything and everything that she feels suit that particular song. The outcome is a beautifully haunting enigmatic album full of surprises. At times I find the guttural vocals of Dillon filling me with a sense of unease, however there's something highly satisfying hearing someone sing from their heart and soul whatever feeling that sound may create. When listening to this album you realise that you don't always have to "sing" to get that sound your chasing. The abstract sounds that she builds are at times reminiscent of country singer Jim White, with heavy almost clumsily played guitar riffs and dirty sounding rhythms providing the backing to her awkwardly soulful vocal style. This album has moments of discomfort that can only be described as it being like "a drunk with a sore throat trying to remember how to play a song and only getting it half right". Despite this "Pull the String" has an appeal that I am unable to describe. It feels real and although awkward true to the soul of the artist. An uncomfortable beauty.

9/10 Willston

24-Apr-2006

Gnarls Barkley - St Elsewhere (Downtown / Warner Brothers)

I thought in life there were two definite's I could categorically rely upon. Firstly that Nina Simone has passed away and secondly that she's a woman. But after hearing this debut album Gnarls Barkley has put both these definite's on hold. By now you are sure to have heard the single 'Crazy' which I bet will go straight to number one. The project is a collaboration between Goodie Mob co-founder Cee-Lo (whose recent collaborations include Pharrell Williams and Ludacris) and the already notorious artist/producer Danger Mouse (Grammy winner for production of Gorillaz Demon Days album). Although both come from a traditionally Hip-Hop background this 14 track debut offers so much more. A lot of the tracks come from the same seed as 'Crazy' with pained and troubled Nina Simone style vocals mixed up with either contemporary disco/funk beats or crunchier slower drums that reminisce the high point of the trip-hop era. Traditional Motown soul vocals can be found seasoned the whole way through this gem. On the hip hop side there's no surprise that the Outkast sound is well represented. Those of you from the Ghetto side of life will already know that the Goodie Mob and Outkast are from the same area of the states, so it's kind of obvious that sound and style would feature. This is such a great album littered with top ten singles, I have no doubt it'll be a major global success.

10/10 B Funk

24-Apr-2006

Imogen Heap - Speak for Yourself (White Rabbit)

Ninety percent of the time I put on an album expecting one thing and soon realise it's totally different to what I'd anticipated, the other ten percent of the time I haven't got a clue from the start. Imogen Heap's new album "Speak for Yourself" was in that last ten percent and I was left totally stunned. When doing this job you often don't have a clue about the band and most of the time you've never even heard of them before. To help with this the wonderful promoters at each artists record company sends you a bit of information about them to help you along the way. Even though I'd read all the information for Imogen Heap it didn't prepare me for what I then heard. Due to this I realised that it was one of those albums that has so much going on in it and so many sounds and influences only hearing it would allow you to understand what it was like. The thing that surprised me the most was the heavy electronic influence that was apparent throughout. This opens up what Imogen Heap has been able to create in her music allowing her to fuse beautifully crafted, almost orchestral string and piano pieces with distorted and sometimes uncomfortable drum loops and rhythm sections. Despite a slight uncomfortable feeling at times this album has an innocent beauty to it that will appeal to many on different levels. As I said earlier words couldn't describe this album, you must hear this album though! Just whilst writing this it has grown on me even more. Intriguing may sum this up well.

8/10 Willston

24-Apr-2006

Various Artists - Dub Club:Picked From The Floor (G Stone)

The Dub Club is a club night in Vienna which was set up in 1995 by three friends with a common taste in music. This compilation is a snapshot of the music played by the DJ's in the club and contains a number of exclusive, previously unreleased tracks. It's basically a dread-skanking trip through futuristic Dancehall and Dub with a whole host of World music, Latin and electronic influences. First track (after Roots Manuva's live intro) "Pon Remote" by Stereotype sets the tone with its thunderous, speaker-blowing bass-kick and from here on in the aural assault never lets up. Virtually every track is filled with floor-shaking sub-frequencies, reverb-drenched percussion, mean synths, and peppered with chat from various Reggae DJ's including Paul St. Hilaire on the Upsetters-influenced "Vampire" by Rodney Hunter and Miss Thing on the M.I.A.-esque "Love Guide by 2Culture Clash. Drum and Bass is also represented in the form the XRS remix of catchy Brazilian anthem "O Calhambeque" by Roberto Carlos (!) and Dub Club's own Gu-Mix on "Malandro". Towards the end of the album the pace drops into pure smokers territory with some deeeep downtempo Dub from the likes of OMFO and Bus rounding everything off in a haze of weed smoke. All in all a great insight into the club and an original sounding compilation so all you need to do is roll a phat one, sit back and enjoy. Just watch yer bass bins.

8/10 Ross C

24-Apr-2006

Jamie Foxx - Unpredictable (J Records / Sony BMG)

Jamie Foxx considers himself a singer first and an actor second and has successfully managed to work his way into the RnB mainstream. His current single "Unpredictable" is riding high at no16 in the national chart and is the first track from this, his debut album, of the same name. For the album, Foxx has assembled an all-star cast of RnB heavyweights including Ludacris, Twista, The Game, Snoop Dogg, Mary J Blige, Kanye West and Common, to contribute to what will inevitably be a worldwide smash. Musically this is highly-polished, premier league RnB which is not without it's charm - I happen to have a soft spot for "Extravanganza", the story of a one night stand, and "VIP" which samples Herbie Hancock's "Butterfly". Other tracks include the straight-up club banger "With You", the soulful "Love Changes" and the downright rude "Three Letter Word". All in all this is a slick, commercial RnB package which does exactly what it says on the tin. If you love today's Rnb you will most likely love this.

7/10 Ross C

24-Apr-2006

Paramore - All We Know Is Falling (Fuelled By Ramen)

Straight off the Warped Tour and over here rocking the Give It Name Festival, Tennessee 5-piece Paramore kick up a fair bit of dust whilst seemingly having bags of fun recording this, their debut album. Produced by James Wisner (Dashboard Confessional) and Mike Green (Yellowcard), 'All we know is Falling' is 10 songs of pure unabated energy, sparky guitars, driving drums and sugar fuelled vocals. 17 year old Hayley Williams's love life, must have been a bit shit because relationships and the crapness of them make up the underlying trend of the lyrics of the album. So the connection between singer and audience should be instantaneous. When they ease off the rock peddle on 'Never Let This Go' and 'Conformity' then a real maturity and non conformity comes through, that shows Paramore make be about to hang about for the long term. Download 'All We Know' from May 1st and see if you like them as for me I'll mark Paramore as one to watch.

6/10 David Gray

24-Apr-2006

Crosbi - All In (Split Records)

Once-upon-a-time there was two sets of brothers who were all really horny. They unanimously decided that all they ever wanted was to enjoy the delights of the Wrexham dogging scene. They really got off on the idea of random people pleasuring themselves whilst watching the brothers getting freaky with one other. On arrival to the seemingly empty car park, the brothers felt nervous yet equally excited for what was about to turn into a truly memorable night. It was a warm summers evening, the perfect atmosphere for romance. After half an hour of intense giving-and-taking, one of the brothers struck a particularly melodic note when his button had been pushed by his beloved sibling. The sound was almost magical and took everyone, including the bemused elderly couple who has taken a wrong turning, by surprise. "Holy sh*t" remarked one of the brothers, "you sound like that teenage dirt bag guy from Weezer." And so the brothers decided that they would share their experiences by combining the enchanting Weezer-like voice with some soft power ballads underneath (traditional dogging anthems). The subsequent album, 'All In,' details the extraordinary tale of how the brothers enjoyed the forbidden fruits, managing to be all in at once on brother Steve, on a thrilling road trip around the wilderness of Northern Wales. What more can I say?

5/10 Tommy Dog

24-Apr-2006

Various Artists - This Is How We Lounge Vol 2 (Sunshine Enterprises)

This compilation is mainly a collection of remixes of material from Vienna's Sunshine Enterprises record label. They have enlisted the help of some of the UK's freshest underground producers, a number of which are personal favourites of mine including Yam Who?, Phil Asher, Domu and Blackbeard. Styles vary from Yam Who?'s jazzy, chill-out rub of "para don alonso" by Madrid de los Austrias, HippE's deep House trip on "no a la Guerra", to Shanti Roots' dubby breakbeat excursion on Bellcrash's "Ghostwritten" and Frankie Valentine's paino-led version of "Angel" by Afropsychopathz with it's strange, Simply Red-esque vocal. Also here is Restless Soul's excellent deep/soulful House mix of Champion Soul's "Holdin On". But it's the Future Soul cuts that interest me the most, namely the Domu and Blackbeard mixes of Robb Scott's "Fallin". Domu's mix is ruff, with jazzy chords and deeeep bass and has that slo-mo Broken Beat flavour I love. Blackbeard's mix is possibly even better, taking the track into even jazzier territory with loads of sweet piano, soft synths and sparse beats, and with an added rap giving the track a totally different feel. Wicked.

8/10 Ross C

24-Apr-2006

Get Amped - Postcards from Hell (Strong Like Bull)

If you're looking for something this month that has phatt guitar riffs and balls by the truckload then look no further. Described as the "U.Ks best-kept secret" (something I've heard too many times before), 'Getamped' deliver just what they promise, apparently saying that "they have only two aims in life-to write big, fat, intelligent rock songs with guts and melody, and have a great time doing it". Their tunes certainly are big and fat if not a touch pretentious (but who isn't these days), and their melodies are extremely catchy. As for them having fun, I can't imagine that anyone in the music industry getting to play their own songs doesn't have a wicked time. The album as a whole works well holding itself together with songs that are well composed and well produced. The only points in which I felt it lost me were the occasional tracks that made me think of a boy band going through a "rock phase". Not always a good thing! Personally speaking 'Getamped' didn't really push my buttons. Although obviously a highly talented band that have the ability to write complex and layered songs I felt that they blended in to other people in the same genre too much, and an ability to stand out from the crowd is an essential these days! I feel that again my main issue with them is the fact that if I hadn't read it they could have easily passed as "Americas best kept secret" an area I feel some British rock and punk bands fall down in. Remember where you come from!

7/10 Willston C

17-Apr-2006

The Rogers Sisters - The Invisible Deck ( Too Pure )

After having a read of the reviews and biog's. I couldn't wait to have a listen but afterwards felt a little betrayed. Either my head made this band out to be something they're not or the reviews made them out to be great and they're not...either way, not impressed. The band itself are pretty good, instrumentation is spot on and the male vocalist and bassist Miyuki Furtado is amazingly talented but the female singers try to achieve the singing off key and it just isn't washing with me, in fact I found myself skipping the tracks they were singing in. Not vintage but ancient. The track listing is ok but a little mountainous, peaking and dipping. If you like punk then you may love it but it portrays the album to be 80's stadium rock and ven dares to say it's like Prince (what an insult) but it's more like way-out-there punk, that's it. I find it dull and uncompromising and after 3 or 4 listens I'm still not diggin' it. Boo

4/10 Queen B

17-Apr-2006

Fink - Biscuits for Breakfast (Ninjatune)

Biscuits for breakfast? What a great idea......although be warned that crumbs 05-06 cause distress when eating in bed. I personally have suffered all my life with nightmares about [post-midnight-feast] bed crumbs, indigestion and dehydration. Fortunately there are no crumbs on this album for the mixture of folk, blues, soul and dub overtones prompt relaxation and happiness on a whole new level. The simplicity of the acoustic guitar coupled with softness of Fink's voice help to create a tranquil atmosphere like a hot bath on a cold winters day. I'm not suggesting that this could be the answer to manic depression, but it certainly has the potential to ease some of the inevitable tensions associated with living in Norwich (i.e. traffic congestion and inbreeding). Some of you may be slightly confused as to why Ninjatune are associated with this genre of music, but fear not.....you are not going mad. Fink merely tricked Ninjatune. The former trip-hop beatsman apparently rated himself as a guitar-toting singer-songwriter, and the rest is history. Regardless of whether he is arrogant or merely confident in his own abilities, the boy done well.

7/10 Tommy Dog

17-Apr-2006

Various Artists - The Beginners Guide To Salsa Volume 2 (Nascente)

After 15 years of waiting, the Beginners Guide To Salsa returns (cue applause). However, I can't help immediately feeling a little bit disappointed.....ok so I bought the first volume when I was nine, practicing my salsa in full costume until my feet bled and my mother was forced to take me to a chiropodist. What more do I have to do to progress onto the Semi-Professional Guide to Salsa? I have literally been waiting my whole life for this....I can't really describe how I feel at the moment, the enormity of the anti-climax hasn't really sunk in. Ok so I am full of drivel, but what am I expected to write about an appropriately entitled album? If you like Salsa you will probably love this, it certainly has catchy tunes which inevitably remind me of the hotel nightclubs I went to when I accompanied my parents on holiday when I was younger. Happy days. If by any chance you are interested in other exciting treats from Nascente, I can wet your appetite with news that 'The Egypt Experience' and 'Asian Lounge' will shortly be released. This album is a must have for salsa lovers (those on the dance floor and in the bedroom), manic depressants (this should cheer you up), and travelling gap year students (this will help you 'find' yourselves).

7/10 Tommy Dog

17-Apr-2006

Various Artists - Sci.Fi.Hi.Fi. Vol 2 compiled by Luciano (Soma)

Hmmm, tricky one to review, this. I'll do two reviews in one. 1) This second compilation from the highly respected Soma label is a hypnotic trip through the rawest, deepest minimal progressive tech-House from across the globe, crafted together in absolute perfection by Chile's Luciano. The groove remains constant throughout, maintaining an air of suspense and feeling of tension which can only be experienced live if heard on the finest, crispest of sound systems. Electro sounds, effects, bleeps and basslines creep in and out of the mix, teasing the listener and helping to build the set to it's epic conclusion. 2) I'm all for a bit of minimalism - I'm a big fan of the Detroit techno sound, and records that twist out simple ideas - but to me this compilation was just boring. I understand that it is meant to be a progressive set which builds up as it goes along, but I could find very little to move me here. Perhaps in a club environment, with certain synthetic stimulants, I could appreciate it, but as a listening experience I found it soulless and dull. A couple of tracks around the mid-point of the CD showed a little more creativity and the final track "Earth Beats" by Kuniyuki is good, but on the whole I found it very flat and uninspiring. If you're a fan of progressive tech-house you'll probably love this but for me (and I was into progressive house first time around) it was not worth the effort. Sorry

5/10 Ross C

17-Apr-2006

Men Women and Children - Men Women and Children (WB Records)

Men Women and Children released their first great record of 2006 "Dance In My Blood", their definitive mission statement on April 17th. No other album this year competes for attitude, energy, production and originality topped with fun and quality. "BUY IT ALERT". The album opens with "Dance in My Blood", a rhythmic and totally resistant chorus. Men Women and Children are simultaneously a look in to the past and a glance at where electro-pop is headed. Every song is catchy and unique, making you become an instant fan before the album's halfway mark. "The Name Of The Train Is The Hurricane" is one of my favourite tracks on the album. It takes you back in time with 70's authentic disco belting through out. It's so hard to believe that Men Women and Children were only formed 2 years ago and have already gained great status in the music industry. They start their UK tour with a support slot on the sold-out Panic! At The Disco tour. Men Woman and Children have to be very proud of their debut album which is produced by Mike Noggins (Bright eyes. The Faint) Each track explodes through containing vibrant sounds of electro-pop, funk, great lyrics and instruments taking you to a whole new level. In 2006, Men Women and Children is certainly a name to remember

10/10 Roban

17-Apr-2006

Charlatans - Simpatico (Sanctuary Records)

On April 17th we see the release of the Charlatans ninth studio album, Simpatico. This time, perhaps with a yearn to stay original after one-heck-of-a good run, the boys have adopted a somewhat chilled-out approach, possibly lacking some of the fat, sing-along chorus of previous work. It's all too easy to compare this album to some of the fantastic releases with which the Charlatans have blessed the British music scene with, even in recent years, but let's try to be impartial. There are some awesome and intelligent ska rhythms, which are slick in delivery and full in production. 'Road to Nowhere' is a cleverly written track, which contains some of the dark and twisted feeling which is echoed throughout the album - although the verse does sound suspiciously like singer, Tim Burgess had been cruising through Queensland in his ute and stumbled upon 'Land Down Under' on Outback FM. 'Glory Glory' is a life-affirming Sunday morning walk in Chapelfield Park, but the first single and opening track 'Blackened Blue Eyes' is more of a beefy piano-riffed classic, in fitting with the swagger and panache of the much-loved indie originators. Simpatico is a sweet collection of eleven character rich songs, produced and performed as well as ever. I have nothing but respect for these five gents, but everybody has to grow up at some time - I just wish the Charlatans would be 21 forever.

8/10 Klit Flickerman

10-Apr-2006

Ane Brun - A Temporary Dive (DetErMine Records)

Every few years Britain is blessed with the latest Scandinavian export. They usually come out of nowhere and absolutely blow everyone away. Ane Brun is the latest artist to make that journey across the sea to share herself with us. There is something pleasingly different about Ane Bruns style of song writing; there is an honesty that you feel floating through you when hearing this album, a hunting splendour that is rarely found today. Never overcrowded or overworked Brun delivers a simplicity with her songs that still feels fully rounded thanks to the complimentary richness of her voice and guitar style. Without sounding to cheesy I found that it was often the notes that weren't played that enhanced those that then were, she manages to form an ambience that is full of emotion and feeling without it feeling forced or contrived. Unable to find one particular track that stands out above the rest I found myself hitting the play button again and then the repeat button. Each track is able hold it's own and in my opinion the album as a whole is flawless. There is a feeling of vastness to this album that fills you with the same feeling you get when your in the middle of nowhere and see nothing for as far as you can see. You have a joint emotion, that of fear that you are completely alone in your own space and one of contentness that no one will disturb that moment you have to yourself.

10/10 Willston

10-Apr-2006

Public Symphony - Public Symphony (Republic Media)

Another band who used the internet to very effectively market themselves. This album gets better each time you listen to it. Kind of a cross between Zero 7 and David Byrne this debut put me into a relaxed state and allowed my mind to wander. The tracks were quite different though, ranging from the piano Ballard of Stronger (which 05-06 well sound familiar to you) to the combination of guitar, strings and choirs in Epilogue. Much has been said of the accompanying video to Stronger, but having not seen it there is not much I can contribute to that debate. It is the kind of album you would imagine in the background as you reflected on life, or were reading some though provoking work. The calming play of Touch seem to transport you to your own space, or perhaps it is me. An album I think will always be close at hand when I need to sit and think or simply take in the world that surrounds me. Some of the tracks have a familiarity about them, but certainly I can not recall having heard them before. An album well worth a listen.

8/10 Radar

10-Apr-2006

The Zico Chain - The Zico Chain (Hassle)

Mancunian Chris Glithero left his native Manchester because he wanted his Music to sound less baggy and more Lemmy! Joined by Paul Frost on guitars and Ollie Middleton on drums this 3 pieces mini album is definitely not baggy. Neither can it claim to be like the warty old Mr Kilminsters band. Coming on very angsty in a vein that Therapy? mined to great effect. A ball breaking guitar sound pinned to a solid backbeat take nothing away from lyrics touching on the perennial teen concerns of alienation, despair and paranoia. Commercially no bad thing that, after all take a look at your local town there's a big enough market for this and former Placebo nobs man Teo Miller has done a fine job pushing this release above the crowd with a crisp production job. If you've caught them with Alkaline Trio or Nick Black Alps you be familiar to The Zico Chain's non-compromising powerful sound, if you didn't and just want something to rail against these 6 tracks could well be your soundtrack.

5/10 David Gray

10-Apr-2006

Mohair - Small Talk (Ear Candy)

Having played all of the major British festivals in the summer of 2004 Mohair have spent the last year and a half literally in the wilderness. Last winter they holed up in a cow shed in the wilds of western Scotland planning a new album and a new assault on the indie rock scene. 'Small Talk' opens with stadium pop rocker 'Keep It Together' which although engaging is spoiled by the vocal effects and use of a harpsichord which were a bit too Spinal Tap! Mohair have earned the support of names such as Chris Moyles and Jonathon Ross. The reasons for this become quickly clear with the catchy anthem 'Stranded'. A sense of fun seems to carry through this record despite its mixture of bubblyness and brooding. There is some all out rock to stomp your feet to as well as some tracks with a more melodic and emotional basis. With an extensive set of live dates coming up over the next year 2006 could be a very important year for Mohair. Their album is certainly infectious, energetic and full of charm, whether they have what it takes to break into an already saturated indie market remains to be seen.

7/10 Hollywood

10-Apr-2006

Pure Reason Revolution - The Dark Third (Holograph Records)

Having reviewed every single by this band and their mini-album (Cautionary Tales For The Brave) that has ever been thrown at me in the past six months, imagine my excitement when I finally got thrown their full debut album! Having already been compared to the diverse sounds of The Beach Boys, Super Furry Animals, Led Zeppelin and Pink Floyd we are about to witness a new Prog Rock Age and it's long overdue. The album will take you back to the time when rock was a journey that explored every intimate detail of the performers involved and transcended the audience to places they had never been and encouraged them into the minds of the band for a few moments. 12-minute songs with twists and turns from start to finish will leave you wondering where the song began and where it's going to end, but enjoying every second until it does. This really is a turning point for the British music scene as Berkshire-born PRR take to the stage and they really shouldn't be missed. Strong guitar riffs, beautifully harmonised vocals and deep drum beats, they are hard to ignore and shame on you if you do.

9/10 Shakkatak

10-Apr-2006

Semifinalists - Semifinalists (Regal Beer)

At the end of the 90s, Semifinalists spokesperson Ferry Gouw arrived from his native Indonesia with a mass of creativity and ideas. After messing about with ideas in rehearsals since then, they have finally arrived with their fascinating sounding album. (Self-titled) The songs contain a depth and texture that gives excitement and emotion to their three-minute gems. The opening track 'Origin Song' thrusts Ferry's medieval vocal to it's full force, and then subsides deliriously into 'Show the Way' with an awe-laden stare before bursting into a huge metal riff which then open the doors for a swinging Californian sunshine harmony. Ferry designs all the bands artwork, which has a twisted cartoon feel of dark thoughts and retrospective and gives a good impression of which the arty, twangy angle the band seem to be leaning. 'DC' matches the sublime melodies of Fleetwood Mac and the fifth track, 'You Said' echoes programmer Chris Steele-Nicholson's arch-influence, Cyndi Lauper. Having ended 2005 supporting the likes of Clap Your Hands Say Yeah, Be Your Own Pet and the Liars, Semifinalists played extensively in the UK throughout Feb and March. If you missed them, and appreciate something a little new and proggy, take a peek at the Semifinalists album from 04-06 10th.

7/10 Klit Flickerman

03-Apr-2006

The Organ - Grab that Gun (Too Pure)

It does feel like there's an abundance of acts out at the moment that are really trying to recreate that 80's new wave sound, and if didn't know better I'd of wondered if this album hadn't got lost in the post and was actually meant to of been reviewed a couple of decades ago. It would be unfair of me to rite off a band just because of this however I am growing a little tired of it. Each one being hailed as "groundbreaking" or "new masters", to me the vast majority should be known as "recreation masters" or "rip-off geniuses". Some of this opening statement could be applied to The Organ, however it does feel like they've managed to create something new, or at least hasn't been done for a while with their debut album Grab that Gun. The thing that struck me upon first listen was the presence and importance that the singer had, reminiscent of a female Morrissey I found myself intrigued and captivated by her poetical manner of singing. Although not the most accomplished singer her choice of lyrics, the tone of words and images they create gave the somewhat weak guitar riffs and predictable bass lines a greater depth. For those that aren't fans of this style of music listen to the first track and you can pretty much pick up the gist of the entire album. However if you are a fan the don't miss this one as your bound to find some classics. Speaking for myself I wasn't totally swung by The Organ and would say that if it wasn't for the talented vocals of Katie Sketch they would just be another mediocre retro-pop act.

5/10 Willston

03-Apr-2006

Gum Drop - Hi Falutin (Altered Vibes)

I'm getting slightly bored with the seemingly never ending stream of down tempo hip-hop that seems to flood our record shops year in year out. Gems do appear occasionally but rarely does an entire album consistently provide anything other than mediocrity. Rob Mac, in his current guise Gum Drop, uses a plethora of musical talent in his latest bid to add fire to a somewhat temperate musical region. Long time friend Matt Smooth provides the crisp percussion whilst 4hero and Massive Attack veteran Lucy Wilkins lays down the string work. He also uses the vocal talents of one of the UK's finest up and coming soul singers, Randolph Matthews to add an emotive edge to this record. The varied sound of this album is testament to the impressive degree of studio wizardry used to seamlessly blend vintage equipment and cutting edge technology. The mix of P-Funk, sweet soul and tight beats do yield some impressive results; notably 'Step by Step' which seems to be bidding for a place on Prince's original Batman soundtrack. As a whole though, the album doesn't really give much that you won't have heard before; the sum of its parts seem more impressive than greatness of the finished product.

6/10 Hollywood

03-Apr-2006

Stereophonics - Live From Dakota (V2)

Stereophonics fans they will love this double live CD. Inevitably this provides a different sound to the polished finish achieved via the studio. You hear a number of tracks in a much more natural setting of a live performance. If you were at one of the performances from the same tour it may be even more evocative, than for those listeners trying to imagine the performance setting. Even so you can still feel yourself jumping up and down with the best. Certainly it is possible to hear the difference of live .v. recorded, and personally I like the more edge you get to the live performance recordings and the odd interchange with the crowd. The familiar tracks include Superman, A Thousand Trees, The Bartender and the Thief, Vegas Two Times, Traffic, 05-06be Tomorrow, Mr. Writer and Dakota. The release also includes Jayne, a new track which certainly has that distinctive Stereophonics signature, it may well become as familiar as the other soundtracks have come to phases of our lives. Enjoy.

8/10 Radar

03-Apr-2006

Hope Of The States - Blood Meridian EP (Sony)

Out on a strictly limited vinyl release of 2000 copies or for non-luddites as a download from all the usual places this is the first new material since the troubled 'Lost Riots' album. Airs to Radiohead and the Manic Street Preachers crown, Hope of the States return with four tracks that will cement their place in the bedrooms of every trouble young mind in the country. Sadness abounds through out a more focussed collection of songs, guitar laden as gone are the heavily string soaked arrangements of old. Having been described as Operatic Art-rock a statement that made me retch on reading it, I knew this wasn't for me, there a thousand who will warm to it, if warm is the right word because all four tracks have a sterile nature of isolation about them. Not what I look for in my record collection but if this is your thing then Hope of the States can be your release. I'd just like them to cheer up, it could be worse lads you could work in a call-centre.

2/10 David Gray

03-Apr-2006

Morrissey - Ringleader of the Tormentors (Attack/Sanctuary)

Morrissey's latest album seems to signify a real shift from the 'identikit' musical form and lyrical content that he settled with from the mid 1990's. The producer, Tony Visconti of T-Rex and Bowie fame seems to be responsible for this. (The opening bars of 'In The Future When All's Well' are resonant of 'Get It On'). The album sums up Morrissey's life at the moment which at last is a relatively healthy one. He's left L.A. in favour of Rome ('The Youngest Was The Most Loved' uses Italian Police sirens and Vespa engine samples to evoke this city to great effect); managed to face his demons and is having guilt free sex at last. (In 'Dear God, Please Help Me' Morrissey describes the "explosive kegs between his legs": hardly the language of a shrinking violet. In the opening track 'I will See You In Far Off Places', one is confronted with big production values and Morrissey's newly found confidence rendering his voice totally on form. The quasi political theme and Middle Eastern hook serve only as a token gesture. Similarly 'Life Is a Pigsty' shares these musical values, with the scantness of lyrics accentuating this confidence. 'In The Future When All's Well' is perhaps the defining track of the album: Morrissey's personal and professional life now has resolution through defiance to guilt, based on Catholicism, sex and sexuality. The rocky, orchestral, filmic production and thematic lyrical content not only makes 'Ringleader of the Tormentors' Morrissey's happiest album to date, but evokes the score of a West End Musical. But whether you are a Mozzer worshipper or virgin you'll find the album inspirational, upbeat and darkly humorous. God, I can't believe I'm talking about Morrissey!

8/10 Mr. Foodstuff

03-Apr-2006

Pink - I'm Not Dead (Sony)

The difficult second album comes easily for Pink and just goes to prove Pink can still "get the party started". Misunderstood was a cracking debut album for Pink, which led to worldwide success and a fanbase of young, old and those who appreciate feisty pop. Showing maturity, punchy vocals yet still fresh, Pink also shows her soft side slightly letting her guard down. Kicking off of the first track is "Stupid Girls" displaying a great dig at the silly behaviour of the tabloid-crazed starlets in Hollywood. "Nobody Knows" brings an enchanting ballad with the Pink tag of "Family Portrait" Her ability to use of a number of styles keeps you guessing through the entire album. Her strong political views are clear on "Dear Mr. President " a touching poignant song on the album. Pink performs this track with the "Indigo Girls" and just a simple acoustic guitar backing. Pink rails against President Bush, attacking him on everything from no child left behind to gay rights. She asks "How do you sleep at night when the rest of us cry? How do you dream when a mother has no chance to say goodbye?". She may turn some off by wearing her politics on her sleeve, but there's no denying her artistry on this song. "I have seen the rain" is a hidden track, a sweet duet she sings with her dad James T. Moore and is about Vietnam Veterans. "I'm not Dead" was co-written and executively produced by Pink. A great album for your collection, available in all good record stores.

7/10 Roban

03-Apr-2006

Erasure - Union Street (Mute)

Camp 80s/90s pop, cross dressing and choruses that even that straightest of men couldn't help singing along to... well that's what comes to mind when Erasure is mentioned to me. Well think again, Union Street is an acoustic album that Andy Bell and Vince Clarke recorded in a small studio in Brooklyn, NY. It sees them re-inventing songs from previous albums that they thought were missed, proving they could leave the synthesizers behind and still be left with a great song. I have to admit that I was a little uncertain how it would sound but hats off to them, it's fantastic. Having never heard any of the songs they have decided to rework I was pleasantly surprised at how subtle and beautiful (yes beautiful) this album is. They have taken a very simple approach to their music and they have stripped each song down and focussed on the lyrics which are surprisingly strong. It works very well and even if you'd never dream of buying an Erasure album I ask you to give this one a moment of your time, it couldn't be further away from your embedded impression of them.

8/10 Shakattak

29-May-2006

Protest the Hero - Kezia (Vagrant)

Shit these kids can play! They're hard, they're fast, and they have passion. They have pretty much everything that you look for in this type of band! This five piece from Whitby, Ontario has already taken America and Canada by storm and is set on making Britain their next port of call. In conjunction with this massive sound that they manage to create their album has a feeling of immensity, being a situationist requiem, similar to a concept album in that it tells a story. Following the journey of a young woman Kezia's execution trough the eyes of her, the prison priest, and the prison gunman, the out come of his is a highly passionate and evocative album full of surprises. Apparently they wrote songs for the album they knew they couldn't play and then spent two years learning how, something that most bands wouldn't even consider! The album has a feel to it similar to 'The Mars Voltas' two previous releases not just due to it's concept album feel but the passion that you feel throughout, the erratic timing changes and beautifully constructed songs. As I said before, 'Kezia' is full of enjoyable surprises that anyone who's able to see raw musical talent would be able to enjoy. Throughout the entirety of this though I couldn't help but shake my head in disbelief and think to myself "fuck, these guys are nineteen!" something I feel everyone will be astounded by.

9/10 Willston

29-May-2006

Stuart A. Staples - Leaving Songs

Already on his second solo album Stuart A. Staples shows his experience and maturity through out the whole of Leaving Songs. Each track seeming to stem from his softly deep vocals and gentle guitar chords which then subtlety builds up through layers of soulful horns and graceful drumming. Unable to place Stuart into a particular genre he seems to drift seamlessly through a range of influences that have shaped him over the years. Through its entirety there is a strong soulful feeling to it, lyrically and backing wise, the female vocalist adding a complimentary balance to Staples more mature voice. I know that this album won't appeal to everyone and if I'm being honest I didn't love it. At times feeling like it was trying to touch me with things that I couldn't relate to. Looking past that division I was presented with a subtlety beautiful and deep collection of songs that obviously have great meaning to the artist. The moments of discomfort from the listener there because that's what feeling is being passed to them due to the emotions and moods the artist is expressing. As a whole I'm undecided about Leaving Songs. It's good, and to fans you're going to love this, but I'm not sure if I'll be listening again. It pushed some buttons, just not the right ones enough of the time.

7/10 Willston

29-May-2006

The Upper Room - Other People's Problems (Columbia)

I'd heard a lot of good things about The Upper Room so I was excited to get my teeth into this one. Straight away I was reminded of a hot care-free summers morning. Not bad I thought. There is a fear that with a sound like this monotony can set in very quickly...but the songs show variety and continue to build throughout. Vocally, the album shows signs of a softer Maximo Park or Idlewild. I could see this band sitting comfortably between the Travis', Keane and Coldplays' of this world. They were signed to Columbia after the label saw them play only three songs in their recording studio, so as you can imagine, there is a healthy flow of chemistry running between this band. I'm not sure if they will set the world alight and put Brighton on the map as a musical hot bed, but there are a lot of radio friendly tracks on this album, which should see this be around for a while. Production comes from the man Paul Schroeder who was responsible for the Stone Roses, so they are certainly worth a listen.

7/10 M Buttons

22-May-2006

David Borsu - Insight (Counterpoint Records)

DJ, producer and vinyl obsessive David Borsu hails from the city of Liege in Belgium; a city famed for its blend of historical tradition and modernity. His debut album 'Insight' mirrors his origins with a blend of electronic break beats and beautifully recorded organic sounds. Citing influences as diverse as film score genius John Barry and tenor sax legend John Coltrane Borsu unsurprisingly creates a varied feel to his album. Opening with a 40s style swing track, dropping to stripped down bass heavy breakbeat and rising again to a melodic futuristic jazz sound; this album doesn't stay still. Navasha Daya adds some seriously soulful vocals on the electro funk track 'Move' which is remixed twice to close the release. Overall this record has a very live feel to it; the bass sounds are plucked, the drums crisp and the sax melodies impeccable. I would however point criticism at some of Borsu's future funk which compared to the authenticity of his jazz tracks sounds a bit contrived. Pickiness aside this is a really nice album bringing some of the more beautiful elements of jazz bang up to date and in an accessible format.

8/10 Hollywood

22-May-2006

Mocky - Navy Brown Blues (The Outpost)

The inspiration for this album came from four tortuous years of navy-love. Mocky had once dreamed to be a horse whisperer, but this dream was one day shattered when his father proudly announced at a local barn dance that his son was set to follow in his footsteps and join the Navy. Mocky was understandably distraught, but his unquestionable love for his father meant he could never break the old man's heart.......and so he embraced the uniform. However, having a relatively meek physical frame, he became the subject of jokes and was referred to as 'bit*h' by everyone, including the cleaners. On the verge of suicide, Mocky found his true escape in music. The tracks on 'Navy Brown Blues' are all chronological and represent the emotional rollercoaster of those tearful four years. The track 'Animal' refers to Mocky's initial resentment of being labelled the 'ship bit*h,' with the later tracks of 'I'm Yours' and 'Keep it Moving' emphasising acceptance of his social obligations. Unfortunately, Mocky's acceptance of the situation coincided with a sustained period of insanity (the final track is entitled 'I'm a Fool'), which led to him to believe he was a pivotal band member of Jamiroquai. Hence why this album sounds sh*t.

4/10 Tommy Dog

22-May-2006

Zero 7 - The Garden (Atlantic)

The awesome Zero 7 are back with their third album and they have again drawn upon the talents of regular vocalist Sia Furler and also drafted the services of folk supremo Jose Gonzalez this time around. After hearing this they seemed to have once again created the perfect tonic and solution for summer. 'The Garden' is a little bit more upbeat than previous works but still keeps that unique Zero 7 feel. Both Sia and Jose provide stunning vocal performances plus this time around we also get a full vocal debut from Henry Binns. The three offer a kaleidoscope of sounds which sooth like a hot bath on a cold winter's day. Production-wise it offers that familiar Zero 7 sound which I think is the richest and dreamiest, currently available. It was recorded in a homemade studio near Glastonbury and mixed by Phill Brown (Brian Eno/Talk Talk). Watch out for the single 'Throw it all Away' which is out on May 15th. It is so easy going that I cannot see how anyone could not enjoy the Zero 7 experience. Their uniqueness and brilliance comes from the fact that every instrument used is given its own special time and place on this album and it all works to perfection.

8/10 Tommy Dog

22-May-2006

Shooting at Unarmed Army - Yes! Tinnitus (Too Pure)

The rawkus trio has a new album on the way entitled "Yes! Tinnitus" with new band member Simon Jarvis. At times I found a disturbing mix of rock and a heavy electro blitz krieg guitar remains. Emerging from the debris of mclusky (John Chapple) the haunts of various damp, dark basement clubs and the forging of drum power through seven grades of piano teaching (Steve Morgan) they bring you tunes you can whistle, dance or fight to depending on your preference consumption, or IQ Level. They are worth a listen, a noizy-mess of the joy of creation, roar and energetic punk pop, loud thrashy vocals will power through your blood stream and send an over dose of rock to your brain. One might say "The Pixies playing ten pound instruments" and the best tunes they over wrote with it. They were formed when bassist John Chapple left the band Mclusky. He then picked up an electric guitar and formed this trio. I have never heard of his former band, but Mr Chapple seems to have swallowed a bunch of late seventies punk records and spit them out for us to hear again. There's no questioning that this a more rounded album than it's predecessor (mini album) last year and while it seems they can now do subtle ("In Flight Instructions are a Joke-Say I" and "Never Follow Me Again" fear not as they have not lost their ability to be equally as brutal "I should coco" "A Horse by Day is a Horse by Night" "All Hail Sergio" and "I Cry for No Man". No half measures are being taken, what you hear is what the band want you to hear. "Yes Tinnitus!" is a good album that should help Mclusky fans to finally put their ghost to rest.

3/10 Roban

22-May-2006

The Presets - Beams (Modular)

This Aussie duo, who you may have caught with Wolfmother on their recent U.K. jaunt, unleash their debut album into a world seemingly overflowing with dance rock crossbreeds. When you get dance and rock in the same sentence you'd be expecting synths a gogo and you'd not be wrong. Eighties artsy pop with a touch of modern beats lay down the base rules. Yet, it's when The Presets toy with their blueprint we get a glimpse into what shows more promise. I go hard, I go home is a proper electroclash, if that isn't a bad word these days, with crunching beats and clipped filtered vocals clawing at each other for space. Though it's the sublimely lysergic vocal and droning bass on 'The Girls' and 'The Sea' that show a real promise on an album that, at the moment seems to be a litter to mired in a scene that doesn't really exist. Still, if you're currently in love with cut copies album you'd do far worse than checking this out as well.

6/10 David Gray

15-May-2006

Twilight Singers - Powder Burns (One Little Indian)

Painfully honest lyrics, amidst swirling guitars and string-driven orchestration can only mean one thing. Former Afghan Whigs front-man Greg Dulli is back with his forth full offering from new band the Twilight Singers. Recorded between New Orleans, Brooklyn, Milan and L.A., this 05-06 well be his most honest and focused album to date. From the moment the first track kicks in you feel you like you've been included in one of the best secrets of the year. Dulli has pulled an eclectic mix of musicians together for this including former Whigs bassist John Curley, Ani DiFranco and Joseph Arthur to name but a few. It may well take a few listens but after that you'll be hooked for sure. Dulli has spent 18 years perfecting his music and now with 'Powder Burns' I wonder how long it will take him to top this. From start to finish this album flows like the rivers of Babylon, but each track has its own individual personality, which tells intimately of Dulli's evolution and conflict between lover and liar. With every new album Greg Dulli continues to improve and cement himself to legendary status. Powder Burns is the final confirmation that he has made it. For the doubters, then check out the tracks 'Forty Dollars' or 'Candy Cane Crawl'. Do you need any more proof?

10/10 Marky B

15-May-2006

Thievery Corporation - Versions (ESL Music)

It's been 10 years of lounging for the Thievery Corporation and within that time they've created a back catalogue to die for. Over the years, collaborators have been as varied as the music, and now the Washington based duo are back with 'Versions'. This is a remix album which comprises of some great alternative versions of their own tracks, plus some other mind-altering remixes. There are some real treats on this album. A surprisingly fantastic re-working of The Doors 'Strange Days' has to be my favourite with Astrud Gilberto's 'Who Needs Forever' and Norah Jones's 'Angels' battling a close 2nd. The genius thing about the Thievery Corporation is their ability to switch from simplicity to complexity within one bar of music. Most of the tracks on this album stand up on their own right and offer a refreshing alternative to their original workings. With the summer on its way, this is a definite for those hot city nights. These dedicated workaholics will be back in early 2007 with no doubt another stunner, but until then this should keep you lounging to the level you've become accustom.

9/10 B Funk

15-May-2006

Bic Runga - Birds (Columbia)

Bic Runga is an artist hailing from lush landscapes of New Zealand. She has literally defined the music scene in land of Kiwi, since emerging with her debut single "Drive" Bic has travelled a remarkable musical journey, taking her to the top of the charts and winning enormous critical acclaim for her winsome transfixing tunes. She demonstrates the artistic value in trying new ways to bring her songs out in the open and letting them soar on new wings. Notching two multi-platinum albums that set records for album sales on the Isle. "Birds" is introduced as a sibling of her past work, quiet and a bit awkward, yet beautiful in the it's silent touch. "Birds" continues the rich tradition Bic has forged. I'm chilling here with my bob plantation feeling lifted and emotionally full. Runga's voice carefully steps over to deliver a nice portrait of love mingling with despair. (mmm clarity isn't a luxury we are afforded in the one, but the scene she sets in amazing.) The opening track "Winning Arrow" seems like a song Rosie Thomas embrace as call her own. It moves onto "'Say After Me" which is backing vocals borrowed from the Mamas and the Papas. Songs like "Ruby Nights" are almost so quiet and subtle as to disappear completely within the fog of arrangements. "No Crying No More" sounds almost like an old southern anthem you'd hear drifting from the porch, lemonade in hand, to serenade the sunset. The album draws to a close with it's best moment "It's Over" weighs heavily with heartache, pulling each moment out of the box to absort it like it was the first time. It kind of reminds me of last years retro release "Let it Die". Nice one.

6/10 Roban

15-May-2006

Feeder - The Singles

The shelves in record shops are brimming over at the moment with 'best of' albums from bands of the past. Feeder are just the latest to do so. This 'The Singles' comprises of 17 tracks taken from all 5 studio albums in Feeders illustrious career, plus 3 brand new tracks. 'Lost and Found' which is their latest single (out 05-06 1st), plus 'Burn the Bridges' and 'Save Us'. They always been one of those bands who I like, but could live on without them still around. It's only when you listen to these twenty tracks how many good songs Feeder have given. Whenever I see a best of... or greatest hits I get the fear that the band are calling it a day, but fear not Feeder fans, the band are currently in the studio working on a new album which is due out in early 2007. The new tracks on this album are sure to give you an idea of the direction Feeder are evolving towards. If you fancy this one be quick or be dead because there will be a limited number of deluxe versions of 'The Singles' with a DVD of 25 videos included. Not a bad career so far.

7/10 M Buttons