C Duncan - Alluvium
Alluvium's sense of fluidity and pace continues in the cinematic harpsichord-led title track, whilst 'Earth' creates a distinctly retro revisitation of Colin Blunstone on a 1970's Alan Parsons concept album
Glaswegian classical composer Christpher Duncan hit the jackpot in 2015 with his debut album. Written and recorded in his bedroom studio, 'Architect' went on to becomes a default audio setting for many a trendy café-bar, and deservedly nominated for the Mercury Music Prize.
The following year saw Duncan emulate his winning formula of dreamy vocals layered over ethereal keys and guitar with 'The Midnight Sun'. Next, he moved to a full studio with producers such as Elbow's Craig Potter for 2019's 'Health'. Undeniably more playful and varied in tone, 'Health' allowed Duncan to explore new ideas both musically and lyrically.
Now, for album number four, Duncan is back in his bedroom studio, still breaking ground with fresh ideas but revisiting familiar territory as well. Opening track 'Air', for exmple, is classic Duncan – dreamy and light, whilst 'Heaven' is more bouncy, jaunty and joyous. 'We Have A Lifetime' is pastoral, reflective and melodic, whilst 'Bell Toll' is both floaty and purposeful. 'Lullaby' sets the scene for 'Torso' and a tranquil splash of Spanish guitar.
Alluvium's sense of fluidity and pace continues in the cinematic harpsichord-led title track, whilst 'Earth' creates a distinctly retro revisitation of Colin Blunstone on a 1970's Alan Parsons concept album. Only one track, the overtly sentimental 'The Wedding Song', disappoints on what is otherwise a refreshing and welcome return to form for C Duncan.
7/10
