Lau are, to paraphrase a Guardian review, one of the most musically adventurous bands exploring the outer edges of folk
Tonight, Huey Morgan is definitely 'the man', and Fun Lovin' Criminals do what they do best – leave their audience hungry for more
To say that De Staat have a diverse sound taking in a wide range of genres is, if anything, understating it.
Burgess’ music seems to be overwhelmingly upbeat, partnering neat little guitar riffs with his recognisable singing voice
I first saw Lucia support Sleeper at this very venue. I was blown away then. If anything, they have come back stronger....
What is so inspiring about Valtýsdottir is her ability to take other peoples music as merely the starting point for what she creates
Algiers - 2019 has started with an absolute bang with tonight’s show… Sink Ya Teeth Tonight, the sound isstill the 80s inflected, hard electropop that I have fallen ...
Casual Nausea their sound takes in early Crass, Paranoid Visions and Subhumans, with maybe a touch of Half Man Half Biscuit in some of the guitar lines Nosebleeds The live show is, if anything, even better than that LP. On record, to me at least, the band come across as old school Rock ‘n’ Roll colliding with maximum R ‘n’ B Fanitest Idea Faintest Idea do deliver a cracker of a set,,
With Lucy Grubb, The Hanging Stars, The Vagaband, Steve Arlene, Hot Raisin and Borderline in the Bar
'True musicians do not have a choice', he muses, 'we just have to keep on writing and performing. It is what we do'. Well evidenced at this gig
Sadly at 10pm it was over, when it felt like we were just starting.
From the off, the crowd are putty in Allen’s (Ducking Punches) hands and the band can do no wrong
The Subs are still one of the best - and certainly one of the most reliable - live bands to come out of punk.
When PVMNTS entered the stage, it was with boundless energy
The Studio was packed, and as the lights went down I immediately felt myself perk up.
It all gels incredibly well and it is clear that the duo are enjoying playing together.
I have been fortunate enough to have visited the Cambridge Folk Festival on two occasions on behalf of Outline and they were brilliant days of sublime music. Pick of my trip in 2016 were Stick In The Wheel, and I’ve been impatiently waiting for them to visit Norwich ever since.
So what did I think? Well, it was good but not excellent and I can’t really put my finger on why I did not enjoy it more.
Even before the house lights dimmed the crowd had started up a chant of 'Miles, Miles - Miles Fucking Kane'
Their voices fit together perfectly and are also comfortable taking lead, usually on their own compositions. But when you listen to the lyrics of each song you realise that the inspiration often comes from a very specific source.....
Whether you are a fan of Jessie or not remains a matter of individual taste, but from what I saw and heard tonight the new material deserves a serious listen – her voice is strong and confident, and the songs are a million miles away from the frothy pop of 2011
When a band that originally formed in 1966 changes its name four times......Yet I really should not be worried
Two things gave this year’s tour an extra edge of anticipation – firstly they are promoting their first new album in 10 years Evil Spirits, and secondly bassist Paul Gray has re-joined the band, having initially spent three successful years with them starting in 1980.
The band are currently on a celebratory tour of the UK, and Sunday night at the Theatre Royal was their first visit to Norwich since playing here in 2013.