I’m watching something meandering, discursive and episodic, but for all the seeming flakiness and chaos, it quickly becomes apparent that Louise and Rebecca are presenting a tightly choreographed duologue. What sets Sh!t Theatre apart, however, is a willingness to flip humour and horror back and forth – sometimes recklessly so. The maxim of not knowing whether to laugh or cry never seemed more apposite and the effect is unnerving and disorientating.
A hugely entertaining production that acknowledged its period charm, yet cleverly distinguished itself with a stylish shift to the louche, unbuttoned milieu of the swinging sixties. Anthony Banks’s jolly revival never took itself too seriously, yet delivered all the necessary ingredients. It was fun, wildly improbable, and tied everything up neatly at the end
After the sunshine and warmth of the previous night's 'L'elisir d'amore' the Glyndebourne Tour could not have provided more by way of contrast.
Glyndebourne Tour in Norwich last night gave me the opportunity to immerse myself for two and a half hours in Italian operatic sunshine, whilst the rest of Norwich shivered in the dark and the cold outside.
Northern Ballet are always eagerly awaited visitors to the Theatre Royal, both for their full productions and for their wonderful child-friendly shows (they return in April 2020 with a special version of Little Red Riding Hood). We now have October 2020 to look forward to, and their return with an exciting new production – Merlin
As a writer myself, I found her anecdotes and stories inspirational
It also says much for this production that a cocktail of an unmarried teenage pregnancy, gay friendships, mixed race relationships, alcoholism and unremitting poverty, could be presented with such defiant stoicism and good humour.
Why did so many of the Sgt Pepper generation turn their backs on revolution?
The fluidity of the movement, together with the dancers' phenomenal strength and control, is breathtaking, and lead dancer Zeleydi Crespo has a powerful presence which has the entire audience spellbound
Pizza Shop Heroes is a significant and worthwhile attempt to explore the harsh realities of seeking asylum in the UK. It is episodic and uneven, but has a huge heart.
Our Kelly spoke to Jonny & The Baptists ahead of their gig at Norwich Playhouse on October 12th
Rambert's visits to Norwich are always eagerly anticipated, and this programme of three very different yet thematically interconnected pieces, demonstrates Benoit Swan Pouffer's commitment to maintaining the company's proud reputation for taking risks....
It is a journey that, over the course of two hours, and more than six centuries, tells the tale of two cities....As a result, I am more in love with this city than ever before. Anglia Square included.
Armstrong’s ensemble cast looked to be having enormous fun chattering their way through acres of exposition in clipped, received pronunciation, delivering their lines with exactly the right degree of knowing humour, without ever quite lapsing into parody
Forget Love Island how about Anglia Square : A Love Story
This production left me wondering at my appraisal of the earlier work.
Norfolk & Norwich Festival hits gold, once more, with a magic show performed in the hundred-year-old Spiegeltent
Bells and Spells is an episodic, hallucinogenic journey through increasingly loopy vignettes drawn from Chaplin’s weird and wonderful imagination.
If there was a magic button at the moment of your death, would you delete your online history or keep it and leave the choice to someone else?
The resultant 60 minute show is a kaleidoscopic and psychedelic delight from start to end.
It proved to be as stunning and breath taking as ever, confounding the prejudices of anyone (not least me) who thinks ballet simply isn’t for them.
Stoppard’s text constantly reminds us that this is a play about a play, poking fun at theatrical convention, making a virtue of its shortcomings, and openly taking the mickey out of anyone investing too much energy into proselytising art
...from the outset, a jolly thrill ride that takes full advantage of the possibilities of live theatre, presenting a classic haunted house story with a combination of impressive stage trickery and winning performances
The chemistry between Elizabeth Boag’s convincingly drunk Sally and Alan Gillett’s character lifted the production just when it needed it
Miles Jupp’s achievement, in bringing to life an actor known for only a handful of roles, and doing so in a way that was utterly engrossing and a complete delight, was surely all the more remarkable given the relative obscurity of his subject