Last Saturday, it felt like the gauntlet had been thrown down, as a string of shows offered up a truly varied festival experience for those with a strong constitution and keen knowledge of the city’s layout. It just went to show that a festival that has sometimes felt constricted by practical and financial considerations, can, on the day, deliver.Read full Article >
"With James Conway's direction and Gerry Cornelius' conducting, 'The Golden Cockerel' is most definitely in safe hands"Read full Article
Les Patterson was an ungracious slob, and while Edna softened in her dotage, it’s worth remembering how she longed to turn Norm’s life support off. Both revealed a cruel streak that ran through Humphries work, perhaps born of the days when he was the bully, not the bulliedRead full Article
"There is no one to match her, both with regard to her technical ability and her brilliant improvisational skills. Ironically, she is such a good ventriloquist it's all too easy to forget that everything funny happening on stage is coming out of her head and her tight lipped mouth."Read full Article
I think Elmer would argue that the evening was presented as Williams would have constructed it, and as such was guarded where the man himself would have been guarded.
This was a great show, well written, well acting, and one which explored challenging themes. How to top that? The answer was in a tiny epilogue, which those hasty to catch the last bus home might have easily missed. To say more would be spoil a lovely surprise, but I will say it left a big, fat silly smile on my face.
For a crypt-kicking delight of an evening, The Addams Family are your perfect ghoulish hosts.
Yes, it is comedy. Yes, it is fun, and yes it is raucous and at times saucy. McDermott's smartly integrated East Anglian references and dialectical nuance will delight local audiences. But, ultimately it is a much bigger picture, and there is so much more for us all to think about and take away from 'The Birds and The Bees'
....nothing could have prepared me for the spectacle and passion of this version of the Leeds Playhouse production, currently playing at Norwich Theatre Royal.
As a classic drama about love, lust and conflict, 'Private Lives' still takes some beating.
For the most part, this was an imaginative, energising and wonderfully original approach to a literary classic.
I remember when, soon after taking being appointed as CEO of Norwich Theatre, Stephen Crocker made a pledge to continue to bring more world class contemporary dance to Norwich. He has delivered on that promise ........
The use of puppetry to represent Victor’s creation was an absolute masterstroke, and on many different levels.
Make sure that you don't miss out on what will almost certainly the best feel-good night out (or matinee) on offer in Norwich over the festive season.
Robin Good is directed with lashings of local references and a bundle of in-jokes that will delight Norwich audiences – poking fun at our parochiality, our poor public transport links, and our patchy mobile phone reception.